Posts Tagged ‘hunting clothing’
Thanks to longtime friend and photographer Rick G. for this review. Rick has an early Field Bag that, we wager, has seen some of the hardest use of any Archival baggage!
As the waterfowl season draws to a close here in Washington State, I thought I would submit a review of the Archival Clothing Field Bag. I have been using this bag all season as a catchall blind bag/jump shooting bag.
It has been a great hunting companion–thorn proof, waterproof, roomy, and quiet. It has seen 28 days in the field this year, and has seen its fair share of accidental dunkings, mud, a whole lot of rain, and more mud. I am pleased to say that the contents of my bag have stayed uniformly dry and clean. An added bonus, the brass ring on the side is a perfect place to clip a game strap.
I initially thought that this bag would be an urban laptop and sketchbook hauler (since it does serve that purpose well), but I soon pressed it into service as a working field bag. It nicely holds all of the necessities for a day afield: a box or two of shot shells, binoculars, extra layers, water bottle, etc…
Recently, an unfortunate, hip high, encounter with a drainage ditch left my bag and I covered with unspeakably smelly mud. After letting it dry out, a stiff brushing and another rainstorm was all it needed to get it cleaned up and looking good.
Can’t ask much more than that.
I got to spend a few great days out in eastern Oregon with a longtime friend of Archival. While we didn’t have the most productive hunt, we chose to see it as a scouting trip. After a cold, slow day outside of Hermiston, we went down to the Deschutes and hiked around looking for grouse and chukar. I managed to get a rabbit, and lost a mallard drake to the fast river (bad karma).
Per yesterday’s entry, I’m reprinting a few of my favorite views from the strangely compelling, Filson Japan lookbook, “The Ballad of Portraits”. I love the stylized presentation of the figures who look like colorized, plasticized transplants from a 19th century daguerreotype (if Dodge Sportsmans appeared in daguerreotypes). Since most web image content disappears from view or gets redistributed away from its original source, I wanted to archive a copy for myself for future reference. It’s a shame we cannot mail away for a print copy.
John Boultbee Criterion jacket (via Brooks of England blog)
The Beretta Maremmana jacket (a traditional Italian hunting jacket) makes use of the same hands free shoulder strap design. The Maremmana, in moleskin or corduroy, would also make for a terrific cycling jacket in cooler weather.
The Criterion features an “action back” to facilitate free upper body movement. This feature can also be found on traditional field and waterfowling jackets like the Red Head or this Filson Upland jacket.
Unlike most heritage brands, Brooks has designed a version of the Criterion jacket for women. As far as a I can tell, the jacket mirrors the version for gents but is sized for women.
Another modern UK alternative for cyclists 0r cyclo-commuters is the unlined Hilltrek double ventile jacket. The jacket can be custom ordered in a single ventile layer for greater breathability. In general, I prefer light, unlined jackets for use on the bicycle.
If you cannot afford the Criterion (1000.00 €), we recommend the Carradice Duxbak waxed rain cape. For slow speed, upright cycling a rain cape provides terrific rain protection while permitting you to wear pretty much any outfit you like underneath.
by Tom Bonamici
Last weekend, I skipped out on the pile of work waiting in the studio and headed upstate with a friend and fellow blogger, Matt of the excellent William Brown Project. It was a quick trip but we fit in plenty of activities and planned plenty more.
AC friend Will recently took his Archival Clothing Rucksack duck hunting in the Willamette Valley. We’re thrilled to see our products in the field – please forward any pictures of bags in use, the harder the better.
A duckbill cap was the first item I ever purchased from CC Filson. A decade ago, you could buy a Filson duckbill cap in tin cloth, shelter cloth, cotton poplin or wool. Filson even offered a short billed model (my personal favorite). The original duckbill version was fitted and came with a leather sweatband. Filson has dropped the wool and poplin models and switched over to a one size fits all model with a cotton sweatband.
I have a small collection of caps that I rotate through the seasons: poplin for summer, tin cloth for fall, wool for winter and shelter cloth cloth for spring. The duckbill cap makes for an ideal cycling cap. The long bill keeps the sun and rain out of your eyes and the low profile, four panel crowd closely hugs the head (making it possible to tuck the hat under a bike helmet).
I’m unclear on the origin of the duckbill style but there may be a military connection. A gent at the Pacific Aviation Museum in Honolulu once mistook mine for a WWII military reissue.
A few sample duckbill caps from my archives:
Those of us who cook at Archival Clothing love the classic Time Life series of world cookeries. I’ve cooked out of “The Cooking of Japan” for some time, and am hoping to soon start work on “Terrines, Pates and Galantines.” But I was recently sidelined by “The Cooking of the British Isles,” although I’m less interested in the food than in the context shots. American hunting clothing is wonderful, but there’s still a place for a bespoke tweed shooting suit.
by Tom Bonamici
We were alarmed to see that flickr favorite, Pillpat, has loaded more images to her Manufrance set. Over dinner, we had been shopping from Arnys and Hebden Cord, both offering unobtainable clothing (one’s unaffordable, one’s out of business). Like these companies, Pillpat’s content aggravates the historical shopper by presenting a line of unique garments all with singular cuts, details and fabrics. The hunting clothing is particularly strong in this round of images–see especially: le costume pour l’alpiniste, le nouveau costume pour la chasse et le grand paletot fourré.
Like in the Arnys catalog, we’re really impressed by the presentation of garments as part of an entire ensemble. But we also enjoy seeing the different detailing, such as odd plackets and pockets, pivot sleeves, and wildly varying hemlines. In fact, we both think that Hergé might have done all of Tintin’s shopping from this very catalog. Finally, the fabric samples bring to mind the Archival Clothing party doctrine that any garment in a line should be available in any fabric (see custom options at Old Town and Hebden Cord).