Fun fact: Weinbrenner/Thorogood made boots for CC Filson in the 1990s. And when Archival started, we met with Thorogood to discuss a possible collaboration. That project never materialized, but here’s a variation on an oxford I wish we had released:
Andrea Cesari, sewing savant and pattern historian, unearthed info on another US footwear company lost to time: Trot Moc. Trot Mocs were made by the Ashby Crawford Company of Marlborough, Mass, whose ads pitch the shoes to men, women, and children in the pages of mainstream publications like Saturday Evening Post, Outside and Ladies Home Journal in the 1910s. Like all our fave heritage footwear examples, Trot Mocs were handsewn, goodyear welted, and made from “tough and long wearing” tanned leather.
Since visuals of Trot Mocs are limited to a few scarce catalogs and scratchy, microfilmed magazine reprints, here is a verbal description of Trot Mocs: “The toe is plain, without cap or stiffening, and since the shoe is made on Blucher lines, a perfect adjustment can be made by lacing. The soles and heels are fitted with steel grippers which are rivetted through so they cannot hurt the foot. The shoe is unlined.”
In the absence of Nike and New Balance, Ashby Crawford marketed Trot Mocs as everyday wear, perfect for sport, play, and vacation (in ads, the shoe is billed as the “national play shoe” and the “back to nature shoe”).
But here’s what I love most about Trot Mocs: each pair came with a cast metal stick pin: