From left, Richard Poe, Kristine Nielsen, Laura Benanti and Amir Arison in Christopher Durang’s new comedy at the Public Theater
On April 7, friend Brad W. and I both noted the stage right presence of a Filson Original Hunting Vest in a page C6 NY Times review of the play, Why Torture is Wrong, and the people who love them. Indoors, the tin cloth vest looks newly minted and out of place, like it just came off the shelf of a Filson flagship store.
In past blog posts, I’ve noted the presence of Filson and Barbour brands in David Mamet movies. I’m wondering whether Mamet’s influence on Broadway now extends to dressing principal characters in American heritage clothing brands?
While I’ve tried to champion oil finished Filson tin cloth as an indoor fabric, I’ve rarely seen this practice adopted by anyone other than Tin Cloth Monday participants. The original tin cloth hunting vest works well for indoor wear given its extensive, purse-like pocketing and ventilating arms holes.
Several years ago I had a local seamstress add some additional upper pockets and a brass grommet to my own tin vest. As it were, I ended up selling it on ebay due to irreconcilable sizing issues (it wore more like an A-frame tent). A photo: